Todd Ebele At The Art Gallery Of Ontario - II

Vanity Fair’s Todd Eberle: Liveblog

Friday, October 21st, 2011
Starting at noon today, Vanity Fair’s photographer-at-large Todd Eberle will be giving a talk about his new book, Empire of Space. If you couldn’t make it out to hear him speak, you can follow along on our Liveblog right here instead! You can find out more about Todd at http://www.toddeberle.com/ Holly, Internet & Social Media Content Coordinator 

12.02 Weston Family Learning Centre seminar room 3 is packed to the rafters. Clearly lots of anticipation for this talk!

12.05 Todd Eberle is here, looking dapper in trademark hat and scarf.

12.05 Program Coordintor Gilian McIntyre is introducing TE. “Eberle is best known for his interpretative photographs of iconic subject matter.”

12.07 TE is on stage talking about his new book, released back in April. ‘It represents a 30 year span of time and took me three years to compile.’
‘I photograph a number of disparate subjects which is unusual… People rarely go beyond their boundaries. Taking a photograph of something immortalises, elevates it and I get to photograph a lot of iconic things.’
‘Walker Evans had a book where every spread was a pair of images with some relationship to each other. This idea inspired me – you can riff on this pairing idea.’

12.11 TE is going to show us some spreads from his book. The first shows a pair of pictures which reference Chanel.
‘Once I started to pursue the idea of pairs I began to think very abstractly.’

12.14 TE is talking about his obsession with high modernism.
Next shot: Frank Lloyd Wright’s Falling Water
I took 5 shots of this building as a teenager – it’s the oldest picture in the book.
‘I’m formally untrained and completely self-taught. I understood that there’s a relationship between art and architecture which is often overlooked.’

12.17 Next shot: Hilary Clinton/Florence Noel
‘I get to meet alot of interesting people… This was the first attempt to soften Hilary’s image which wasn’t completely successful. I knew she was self-conscious about her calves so I made an attempt to hide it.’
‘Florence in this picture – celebration of the last of the living modernists – she became v private and only agreed to be photographed because a friend agreed to participate in this series.’

12.21 ‘There are a number of people in my book who are no longer livi. I’m happy they get to be memorialised in a nice way.’

12.23 ‘I started to see in pairs – like the rotunda of Thomas Jefferson’s house and CERN’s hadron collider.’ (Two striking circular images – HK)

12.25 Shot: Photograph from the roof of the Whitehouse on a day Clinton had gone to Kosovo – there was a marine helicopter practice/ the same Whitehouse lawn during the Obama inauguration.

12.28 TE is talking about the challenges and pressures he faced in shooting/documenting the Oval Office. ‘I photographed the President’s POV of the office.’

12.30 Shot: Bedroom in the nose of Airforce One (during Clinton’s presidency)/TE’s Grandparents’ House
Harrison Ford was allowed on board to take notes prior to filming the movie.

12.33 Shot: Sunset in Conneticut/Sunset in a Frederick Church painting
‘I started to see the world in a different light as a result of the book.’

12.37 Shot: A pair of garden paths – TE’s grandmother redrafted her garden – this is her garden prior to a visit from Martha Stewart, and again years later when she had lost her sight.’ (Very neat to overgrown – HK)
‘The book became about time, memory, history, loss, destruction, age.’

12.43 ‘My boyfriend sequenced the shots in such a way that it became a narrative, a biography.’

12.45 TE is showing a series of pairings between drag queens and Rorsach-esque flowers, a homage to Andy Warhol.

12.48 Shot: Iggy Pop portrait/ a distressed black sofa (the cover of the book). ‘A fetishished detail of a destroyed Barcelona chair.’

12.50 Floor is now open for questions.
Q Do you use photoshop?
A I use it in a subtle way. I tweak little things but you could hardly see the difference. I heighten the colour occasionally.
Q Has the book changed how you think about the world?
A I see in pairs now – it’s bizarre
‘I don’t know why people would bother with film.’
Todd will be signing copies of his book in ShopAGO for the next hour. We hope you’ve enjoyed tuning in to this live blog session.


http://artmatters.ca/wp/2011/10/vanity-fairs-todd-eberle-liveblog/

Todd Ebele At The Art Gallery Of Ontario - I

Todd Ebele was giving a talk on his new book, "Empire of Space - 30 years in the making".

Join Todd Eberle for the first in a series of brown-bag lunch-time talks. Born in Cleveland, OH, in 1963, Todd Eberle is a professional photographer and artist based in New York City. He is currently photographer-at-large for Vanity Fair. First celebrated for his photographs of Donald Judd’s works and architecture, Eberle is best known for his interpretive work comprising of iconic subject matter such as art, architecture, interiors, design, and portraits. Turning his lens on these subjects, Eberle presents the disparate images that make up international architecture, landscapes, and society. His vision is united by a minimalist aesthetic; a potent mix of control, symmetry and proportion. A book signing for Todd Eberle: Empire of Space.

http://www.ago.net/todd-eberle

After The Potluck At The LKS Gallery

A nice moment after the potluck at the gallery.

Pairing - WD30 With Sculpture On Spadina & Richmond, Toronto

LHS -  Neustadt 10W30 malty grain premium dark ale at Frank.
RHS - Sculpture on Spadina Avenue and Richmond West.

Pairing Of Half Baked Ideas Inc & Grange Prize 2011

Moleskine watercolour sketchbook sizes are good for pairing.
LHS - Half Baked Ideas Inc, a fancy cake store on Mount Pleasant Road, with
RHS - A party for the Grange Prize 2011.

Larry Towell A Night At The Royal Ontario Museum, Toronto - II

A sketch montage drawn in the darkened room with Larry and Mike on the lower LHS and the collage of images from the slide show.

Larry Towell A Night At The Royal Ontario Museum, Toronto - I

An evening of music and powerful images by Larry Towell (Mike Stephens), at the ROM South Theatre.

Larry Towell & Donovan Wylie: Afghanistan
Roloff Beny Gallery, Level 4 

This arresting exhibition brings together recent work by two acclaimed Magnum photographers exploring the ongoing armed conflict in Afghanistan. Canadian Larry Towell's gritty, intimate black and white photographs reveal the devastating effects of the war on citizens, soldiers, and the urban and rural landscapes. Donovan Wylie's large-scale colour photographs of military architecture and vast empty landscapes were taken while the British artist was imbedded with Canadian peacekeeping forces in Kandahar province. Together, these dramatic images speak volumes about the troubling social and political realities of present-day Afghanistan.
Larry Towell’s photographs are presented with the cooperation of Museum London (London, Ontario), Stephen Bulger Gallery (Toronto) and Magnum Photos. The artist gratefully acknowledges the assistance of the Canada Council. Donovan Wylie’s photographic series Outposts is presented with the cooperation of the National Media Museum (Bradford, UK) in partnership with the Imperial War Museum (London, UK). The photographs were produced through the Bradford Fellowship Award, a partnership between the University of Bradford, Bradford College and the National Media Museum.

http://www.rom.on.ca/exhibitions/special/towell_wylie.php

MGM Hotel & Casino - Las Vagas.

From the airport you could see the MGM in front of you.

Construction Before The Airport - Las Vagas.

The taxi driver asked me..."Do I know what they are building?", I answered that the pile looks too
big for a building and... too few to support a building. The driver continued..."We don't have any
building contract for a long time, he used to be in the construction trade and very few tourist came
until recently. How would anybody want to build a  new hotel with low occupancy?".
My assumption could be a overpass or bridge...but who knows...

Sand Storm Day - Las Vegas

It was a sand storm day in Las Vegas, the sky turned grey and soften by the cloud of dusts.

Panda Express - Las Vegas

2 men reading their phones at the Panda Express.

Mandalay Bay Resort & Casino - Las Vegas VI

Border Grill by the window, in Mandalay Bay Resort & Casino - Las Vegas.

Mandalay Bay Resort & Casino - Las Vegas V

The Cafe in Mandalay Bay Resort & Casino - Las Vegas.

Mandalay Bay Resort & Casino - Las Vegas IV

Casino sketch 2, Mandalay Bay Resort & Casino - Las Vegas.

Mandalay Bay Resort & Casino - Las Vegas III

Casino sketch 1 in Mandalay Bay Resort & Casino - Las Vegas.

Mandalay Bay Resort & Casino - Las Vegas II

One of the many dining area in Mandalay Bay Resort & Casino - Las Vegas.

Mandalay Bay Resort & Casino - Las Vegas I

Lobby with a large fish tank in Mandalay Bay Resort & Casino, Las Vegas

Gatwick Airport - III

The graphic of Virgin Atlantic.

Gatwick Airport - II

Inside the plane next to Virgin Atlantic.

Gatwick Airport - I

Air Transat wing from the window.

Flying Horse Pub At Gatwick Airport, London

Early morning breakfast, the place is packed with travellers enjoying their English breakfast with a glass of beer before boarding.

Passengers On The Piccadilly Line Subway, London

Sketch of passengers on the Piccadilly Line, London.

The Piccadilly line is a line of the London Underground, coloured dark blue on the Tube map. It is the fifth busiest line on the Underground network on the basis of the number of passengers transported per year. It is mainly a deep-level line, running from the north to the west of London via Zone 1, with a number of surface sections mostly in its westernmost parts. Out of the 53 stations served, 25 are underground. It is the second longest line on the system, after the Central Line. It serves many of London's top tourist attractions including Harrods, Hyde Park, Buckingham Palace, Piccadilly Circus (after which the line is named), Leicester Square and Covent Garden, as well as London's biggest airport, Heathrow.

http://en.wikipedia.org/wiki/Piccadilly_line
Creative installation of crows feather silhouette of Isabella Blow by Tim Noble & Sue Webster 2002.


Yesterday, before getting on a plane to Milan, Scott and I made a quick trip around the National Portrait Gallery of London. That’s where I saw this sculptural silhouette of Isabella Blow (which I snapped with my Iphone before a security agent told me not to), the cult stylist and muse who discovered Alexander McQueen… and Stella Tennant, who we talked about yesterday.
This is actually a shadow silhouette comprised of stuffed animals and feathers that recreate her profile perfectly.
It’s a work by Noble and Webster. Simply fantastic.
The Portrait Of Isabella Blow by Noble and Webster, at the National Portrait Gallery of London, until the 13 of march. Free admission.

http://www.garancedore.fr/en/2011/02/23/le-portrait-disabella-blow/

Lucian Freud - Entrance To The Exhibition

The entrance to the Lucian Freud Exhibition (beyond the guards).


Lucian Freud Portraits – review by Adrian Searie, Guardian.co.uk
 
Lucian Freud painted strange, uneasy, figures, from first to last. Maybe they were uneasy because he was painting them. There was as much violence as tenderness in his stare, and in the ways he devised to paint.
This tremendous show tracks Freud's inquisitiveness and inventiveness, his constant returns to the mystery of presence. Almost everything Freud did was a portrait of a situation or a confrontation as much as it was a body in a room, whether the body belonged to a lover, a daughter, the artist's mother, a baron, a bank robber or the Queen.
Freud was 18 in 1940 when he painted his art college tutor Cedric Morris , the earliest work in this large, though far from complete exhibition, planned in close co-operation with the artist himself during the last five years of his life.
Freud's final painting, of his pet dog and his studio assistant David Dawson, was left unfinished on the easel when Freud died last year at 88. Its incompleteness is extremely affecting.
The first of these two paintings is small, querulous and faux-naive (though it is hard to imagine Freud naive at any stage in his life), the last full of eccentric impetuosities: Dawson looks up; Freud's eye circles like a bird of prey, quartering its subject from above. The painting runs the gamut from sketchy indications of what might have been, to revised and much reworked detail. Dawson's head is an encrusted eruption of granular pustules of paint. I churn too, as I look at it.
In his very late works Freud seems to have got fixated on certain details. There is an enormous, disjunctive, variety in Ria, Naked Portrait 2006-7. Ria's head is a coarse impastoed lump, the bedcover a fastidious off-white rumpled plain, its pattern emerging and disappearing. The painting is marvellous and terrible at the same time, both exhilarating and awful. There's frailty and failure as well as richness and complexity there, which makes it all the better.
Through a sequence of larger and smaller rooms, Freud's portraiture is unpacked, in all its variety, from the thinly-painted acuteness of his 1950s work to his affecting, grand and vulnerable portraits of the performance artist Leigh Bowery, and the mountainous and magnificent Sue Tilley (Big Sue, the Benefits Supervisor). Each has a room devoted to them.
Elsewhere, however, earlier, smaller, works are hung too close together. In some rooms there are too many confrontations and painted intimacies to take in. It's going to be tough when the crowds arrive.
Neither a realist nor an expressionist – though there is as much reality as there is expression in his art – Freud depicted the psychological tensions between himself and his subjects. His paintings are full of life. There is always a palpable atmosphere, even if it is often conjured from dead time in the studio, his models' lassitude or alertness, a sense of someone waiting for those interminable sittings at their appointed hours to be over.
Freud almost always found something new, or a new way to describe, the experience of being in a room with someone else. It was usually the same room, with the same bits of furniture and piles of paint-soiled rags.
Details as much as whole paintings arrest me. So many details! The weave of a wicker chair, the paisley pattern on his mother's suit, the halo of light reflected behind a head on a leather seat, the Paddington skyline rippling in the windowpane, iridescent blue nail varnish flickering on a woman's toes.
Freud's paintings always have great and often unexpected moments, things the eye snags on. His was a process of describing sensation and presence, people and things and spaces and light, through the language of painting.
He was continually trying to find new ways to describe the familiar: clasped hands, a man's dangling cock, a cheekbone, a turn of the head. His touch is almost never dutiful or rote.
Freud would steer through a sitter's boredom, their disquiet or their flamboyance or their awkwardness, to find something new in their introspection, their nakedness. His art is wonderfully perverse, and perversity was the method by which it constantly reinvented itself.
Being Sigmund Freud's grandson did not give Lucian any particular insights into his sitters, and he disparaged familial comparisons, but like his grandfather his work was largely concerned with being alone in a room with another, delving into the silence that falls between them, analysing the ongoing situation. This exhibition is unmissable. Go more than once, if you can.
Lucian Freud Portraits is at the National Portrait Gallery, London, from 9 February to 27 May

http://www.guardian.co.uk/artanddesign/2012/feb/05/lucian-freud-portraits-review

Worcestershire Peach Trees

Another sketch on the peach trees.

Morgan Aero Display

Morgan Aero displayed at the Morgan Museum.

For over 100 years the Morgan Motor Company have been making exciting sports cars in the beautiful spa town of Malvern
Morgan cars are famous the world over for their unique blend of charisma, quality materials, craftsmanship and performance.
Equally at home on the race track or the open road, there is nothing quite like a Morgan.

http://www.morgan-motor.co.uk/mmc/factoryvisits.html#

Fireplace At Daylesford Organic Farm

The fireplace at the cafe.

SHOP, CAFE, BUTCHER, BAKERY, CREAMERY, FISHMONGER, GROCER, FRUIT, VEGETABLES, DAIRY, WINE, COOKSHOP, HOMEWARE, GARDEN SHOP, COOKERY SCHOOL, ORGANIC FARM SCHOOL, HAY BARN SPA, BAMFORD BARN
 
At the heart of our farm in Gloucestershire is our award-winning Farmshop. It takes full advantage of its location; vegetables, fruit and herbs are picked each morning from the market garden and go a few yards into the shop and to our chefs in our award-winning cafe. Next door is our dairy and creamery, our farm kitchens and our organic animals, who roam freely on the surrounding organic pastures. 


Farmshop & Café, Daylesford
Daylesford nr Kingham, Gloucestershire, GL56 0YG
Telephone 01608 731 700


http://www.daylesfordorganic.com/engine/shop/page/our+shops

Road To London Landscape - II

From Oxford to London, the road side landscape.

Road To London Landscape - I

The road side from Oxford to London.

Black Soil Before B4009 Highway From Oxford

Black soil pile on the slope from Oxford to London.

Night View Of Dyllie Street, London

The houses behind Dyllie Street at night.